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Alexandria: The Last Night of Cleopatra
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From Booklist
Authors tend to lose themselves in their subject. After dedicating so much mental time and space, who can blame them for getting too close to the thing they write about? In the tradition of Geoff Dyer, Stothard immerses himself in his love of Cleopatra and the Middle East. After being stranded in Egypt during the Arab Spring, Stothard becomes enmeshed in a country oozing with history. It is the fountainhead of Western civilization, after all. But what does this mean during a time of revolution, when the old is cast aside in search of a brighter future? These are the questions this book tries to address. What remains and endures over time? Apparently those things that can be made into a Cecil B. DeMille or Joseph F. Mankiewicz feature. Regardless, the author is drunk with his surroundings. His personal lust for Cleopatra is obvious while his historical research bubbles over into the present. While Alexander the Great or Ptolemy X (or is that IX, in Stothard’s ambling narrative) may dominate, the focus remains constant on a land in transition. --James Orbesen
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Praise for "Spartacus Road" "Elegant, erudite...this engaging book reminds us that, for all the secrets the story of Spartacus refuses to give up, it still leads us back to the heart of things." --"The Wall Street Journal" "One of those rare books in which there is something of unexpected interest on every page, and which makes the reader wish he or she could pack a small bag and accompany the author on his travels."--"Daily Beast" "A thoroughly enjoyable combination of history, autobiography, travel and general musings about Alexandria....It is these writings of poets and historians from 2,000 years ago that bring together the Greek and Roman influences that made Alexandria great. It is a joy to watch the classically trained mind assemble the story. Don't try to categorize this book; just read it and let it flow over you." --"Kirkus Reviews" (starred review)
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Product details
Hardcover: 400 pages
Publisher: Harry N. Abrams; 1 edition (August 1, 2013)
Language: English
ISBN-10: 9781468303704
ISBN-13: 978-1468303704
ASIN: 1468303708
Product Dimensions:
6.2 x 1.4 x 8.3 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#1,252,516 in Books (See Top 100 in Books)
I picked this up thinking that I would learn new information - or at least a new interpretation - of Cleopatra. But as well written as it is, you'll end up knowing far more about Peter Stothard than the Queen of Egypt. In the end it bordered on the pointless and dreary.
Peter Stothard, a classicist, the editor of the TLS, and a former editor of The London Times, has written a brilliant memoir, Alexandria: The Last Nights of Cleopatra, centered on his lifelong fascination with Cleopatra. This is easily the best book I read in 2013.Stothard traveled to Alexandria in 2011 when an ice storm prevented his flight to South Africa. He wanted to finish a book about Cleopatra; he had made seven attempts to write about her over the last 50 years. He rents a room at the Metropole Hotel in Alexandria. It is so small that he stands up to write in his notebook.Stothard arrived in Alexandria on the eve of the Arab Spring. There is a bombing, and everyone is jittery. He spends time with two Egyptians, who befriend him, take him sightseeing, decide what he can and can’t see, and speculate about the terrorists.Stothard writes about what is happening in Egypt, but doesn’t report on it. He brilliantly zeroes in on bits of his life that are connected to Cleopatra.The book is both a history of Cleopatra and a memoir of his classical education and his working life as a journalist. The parts about Oxford remind me of Brideshead Revisited, which Stothard mentions in passing.Stothard’s writing is both fast-paced and lyrical, his voice tough and often humorous, and it often reads like fiction, which is the highest compliment I can pay.
As other reviews say, this is a blend of classical history, contemporary Alexandria politics/travelogue and memoir --- but ultimately more about Peter Stothard, than about Cleopatra or Egypt. That may come as a surprise to some readers (as Stothard claims this twist to his "eighth Cleopatra" is to him), but is not a bad thing --- unless the reader really is looking for a history of Cleopartra or analysis of contemporary Egypt. It would not be far off to compare at least the tone of Stothard's narration to the sort of late-night, somewhat intimate conversation one might have with an old friend over a glass, assuming that friend is really quite clever and has interesting stories and musings to share. This does not, however, do full justice to Stothard's careful literary crafting, which is considerable.Late-night metaphor aside, Stothard has interwoven many highly personal recollections and reflections from his life-long efforts to compose a tale of Cleopatra with a fair bit of historical information, along with insight into Egyptian politics just before Mubarak's overthrow. That he manages for the most part to maintain the connection and narrative tension on all three fronts is no small feat. In fact, Stothard sees much connecting tissue, whether coincidental or not, among his subjects. One might ask (perhaps Stothard is asking) how much of this connective tissue is a product of the world and how much a creation of his own and our imaginations. I was tempted at the end to ask, as a key player does: "What is the point?" I am not sure that I know, or that Stothard is sure; however, he has written a seductive if idiosyncratic account, which drew me in and kept me absorbed to the end.
This is a genre-blending stew: classicism (both history and literature), memoir, and travelogue. It is a little too diffuse, a little too idiosyncratic, and for an American reader a little too British to warrant an enthusiastic recommendation. Still, it has its merits. In particular, it makes a good case for the continued relevance of the Classics.Peter Stothard is a British newspaperman. From 1992 to 2002, he was the editor of "The Times". He currently is the editor of the "Times Literary Supplement". At the end of 2010 he suddenly decided to go to Alexandria, Egypt for holiday, with the notion of writing a book on Cleopatra, something he had started to do seven other times in his life without ever completing the project. Alexandria, of course, was the ancient Greek city of Cleopatra. Stothard's visit there, from 31 December 2010 to 22 January 2011, coincided with the early rumblings of the "Arab Spring". In fact, in Alexandria 1.11.11 was marked with a bomb, detonated outside a crowded church, killing twenty-three.Stothard's principal focus is on Cleopatra. My education in the Classics was rather shallow, so I learned a lot about the Alexandrians and Egyptians of the Roman era (Cleopatra's life was from 69 BC to 30 BC), including the Ptolemys, Julius Caesar, and Mark Antony. For me, the story of Cleopatra and her world was the most interesting aspect of the book. But Stothard spends as much space discussing his previous seven efforts to write a book or play about Cleopatra, all of which spills over into a memoir, inasmuch as his first effort was when he was a 12-year-old nerd. I enjoyed his tales of youth more than I did those of adulthood, though I suspect British readers would be more interested in his stories about "The Times" circa 1980-1985 than I was. The third theme of the book is Alexandria in January 2011, where Stothard stayed in the Hotel Metropole and was squired around town by Mahmoud, a Muslim, and Socratis, a Copt. That aspect of the book was for me the least engaging, probably because it is the least coherent.ALEXANDRIA is wide-ranging and eclectic. Among other things, it discusses at some length the 1963 movie "Cleopatra" with Elizabeth Taylor and Richard Burton, Horace's poem to Plancus "Laudabunt alii", and Jan de Bray's painting "Banquet of Mark Antony and Cleopatra". Given the breadth of the book, I am mildly surprised that there is no mention of Alexandria's great modern poet, Constantine Cavafy, especially since a few of his poems are so apropos (for example, "The Glory of the Ptolemies", "Alexandrian Kings", and "In Alexandria, 31 B.C.").Stothard's writing is informal, chatty, almost avuncular. His is an idiosyncratic style, at times somewhat confusing but on the whole engaging. ALEXANDRIA probably will not appeal to many, but it deserves to find its niche readership.
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